WHEN TIME ROLLED BACK by ED EARL REPP - https://www.gutenberg.org/cache/epub/64881/pg64881-images.html

 

On the morning of July 8th I received the following telegram: “Fine day. Always my predictions. Belgian frontier. Baggage and servants left at noon at the social session. Beginning of manoeuvres at three. So I will wait for you at the works from five o’clock on. Jovis.” At five o’clock sharp I entered the gas works of La Villette. It might have been mistaken for the colossal ruins of an old town inhabited by Cyclops. There were immense dark avenues separating heavy gasometers standing one behind another, like monstrous columns, unequally high and, undoubtedly, in the past the supports of some tremendous, some fearful iron edifice. The balloon was lying in the courtyard and had the appearance of a cake made of yellow cloth, flattened on the ground under a rope. That is called placing a balloon in a sweep-net, and, in fact, it appeared like an enormous fish. Two or three hundred people were looking at it, sitting or standing, and some were examining the basket, a nice little square basket for a human cargo, bearing on its side in gold letters on a mahogany plate the words: Le Horla. Suddenly the people began to stand back, for the gas was beginning to enter into the balloon through a long tube of yellow cloth, which lay on the soil, swelling and undulating like an enormous worm. But another thought, another picture occurs to every mind. It is thus that nature itself nourishes beings until their birth. The creature that will rise soon begins to move, and the attendants of Captain Jovis, as Le Horla grew larger, spread and put in place the net which covers it, so that the pressure will be regular and equally distributed at every point. The operation is very delicate and very important, for the resistance of the cotton cloth of which the balloon is made is figured not in proportion to the contact surface of this cloth with the net, but in proportion to the links of the basket.

Le Horla, moreover, has been designed by M. Mallet, constructed under his own eyes and made by himself. Everything had been made in the shops of M. Jovis by his own working staff and nothing was made outside.

We must add that everything was new in this balloon, from the varnish to the valve, those two essential parts of a balloon. Both must render the cloth gas-proof, as the sides of a ship are waterproof. The old varnishes, made with a base of linseed oil, sometimes fermented and thus burned the cloth, which in a short time would tear like a piece of paper.

The valves were apt to close imperfectly after being opened and when the covering called “cataplasme” was injured. The fall of M. L’Hoste in the open sea during the night proved the imperfection of the old system.

The two discoveries of Captain Jovis, the varnish principally, are of inestimable value in the art of ballooning.

The crowd has begun to talk, and some men, who appear to be specialists, affirm with authority that we shall come down before reaching the fortifications. Several other things have been criticized in this novel type of balloon with which we are about to experiment with so much pleasure and success.

It is growing slowly but surely. Some small holes and scratches made in transit have been discovered, and we cover them and plug them with a little piece of paper applied on the cloth while wet. This method of repairing alarms and mystifies the public.

While Captain Jovis and his assistants are busy with the last details, the travellers go to dine in the canteen of the gas-works, according to the established custom.

When we come out again the balloon is swaying, enormous and transparent, a prodigious golden fruit, a fantastic pear which is still ripening, covered by the last rays of the setting sun. Now the basket is attached, the barometers are brought, the siren, which we will blow to our hearts’ content, is also brought, also the two trumpets, the eatables, the overcoats and raincoats, all the small articles that can go with the men in that flying basket.

As the wind pushes the balloon against the gasometers, it is necessary to steady it now and then, to avoid an accident at the start.

Captain Jovis is now ready and calls all the passengers.

Lieutenant Mallet jumps aboard, climbing first on the aerial net between the basket and the balloon, from which he will watch during the night the movements of Le Horla across the skies, as the officer on watch, standing on starboard, watches the course of a ship.

M. Etierine Beer gets in after him, then comes M. Paul Bessand, then M. Patrice Eyries and I get in last.

But the basket is too heavy for the balloon, considering the long trip to be taken, and M. Eyries has to get out, not without great regret.

M. Joliet, standing erect on the edge of the basket, begs the ladies, in very gallant terms, to stand aside a little, for he is afraid he might throw sand on their hats in rising. Then he commands:

“Let it loose,” and, cutting with one stroke of his knife the ropes that hold the balloon to the ground, he gives Le Horla its liberty.

In one second we fly skyward. Nothing can be heard; we float, we rise, we fly, we glide. Our friends shout with glee and applaud, but we hardly hear them, we hardly see them. We are already so far, so high! What? Are we really leaving these people down there? Is it possible? Paris spreads out beneath us, a dark bluish patch, cut by its streets, from which rise, here and there, domes, towers, steeples, then around it the plain, the country, traversed by long roads, thin and white, amidst green fields of a tender or dark green, and woods almost black.

The Seine appears like a coiled snake, asleep, of which we see neither head nor tail; it crosses Paris, and the entire field resembles an immense basin of prairies and forests dotted here and there by mountains, hardly visible in the horizon.

The sun, which we could no longer see down below, now reappears as though it were about to rise again, and our balloon seems to be lighted; it must appear like a star to the people who are looking up. M. Mallet every few seconds throws a cigarette paper into space and says quietly: “We are rising, always rising,” while Captain Jovis, radiant with joy, rubs his hands together and repeats: “Eh? this varnish? Isn’t it good?”

In fact, we can see whether we are rising or sinking only by throwing a cigarette paper out of the basket now and then. If this paper appears to fall down like a stone, it means that the balloon is rising; if it appears to shoot skyward the balloon is descending.

The two barometers mark about five hundred meters, and we gaze with enthusiastic admiration at the earth we are leaving and to which we are not attached in any way; it looks like a colored map, an immense plan of the country. All its noises, however, rise to our ears very distinctly, easily recognizable. We hear the sound of the wheels rolling in the streets, the snap of a whip, the cries of drivers, the rolling and whistling of trains and the laughter of small boys running after one another. Every time we pass over a village the noise of children’s voices is heard above the rest and with the greatest distinctness. Some men are calling us; the locomotives whistle; we answer with the siren, which emits plaintive, fearfully shrill wails like the voice of a weird being wandering through the world.

We perceive lights here and there, some isolated fire in the farms, and lines of gas in the towns. We are going toward the northwest, after roaming for some time over the little lake of Enghien. Now we see a river; it is the Oise, and we begin to argue about the exact spot we are passing. Is that town Creil or Pontoise—the one with so many lights? But if we were over Pontoise we could see the junction of the Seine and the Oise; and that enormous fire to the left, isn’t it the blast furnaces of Montataire? So then we are above Creil. The view is superb; it is dark on the earth, but we are still in the light, and it is now past ten o’clock. Now we begin to hear slight country noises, the double cry of the quail in particular, then the mewing of cats and the barking of dogs. Surely the dogs have scented the balloon; they have seen it and have given the alarm. We can hear them barking all over the plain and making the identical noise they make when baying at the moon. The cows also seem to wake up in the barns, for we can hear them lowing; all the beasts are scared and moved before the aerial monster that is passing.

The delicious odors of the soil rise toward us, the smell of hay, of flowers, of the moist, verdant earth, perfuming the air-a light air, in fact, so light, so sweet, so delightful that I realize I never was so fortunate as to breathe before. A profound sense of well-being, unknown to me heretofore, pervades me, a well-being of body and spirit, composed of supineness, of infinite rest, of forgetfulness, of indifference to everything and of this novel sensation of traversing space without any of the sensations that make motion unbearable, without noise, without shocks and without fear.

At times we rise and then descend. Every few minutes Lieutenant Mallet, suspended in his cobweb of netting, says to Captain Jovis: “We are descending; throw down half a handful.” And the captain, who is talking and laughing with us, with a bag of ballast between his legs, takes a handful of sand out of the bag and throws it overboard.

Nothing is more amusing, more delicate, more interesting than the manoeuvring of a balloon. It is an enormous toy, free and docile, which obeys with surprising sensitiveness, but it is also, and before all, the slave of the wind, which we cannot control. A pinch of sand, half a sheet of paper, one or two drops of water, the bones of a chicken which we had just eaten, thrown overboard, makes it go up quickly.

A breath of cool, damp air rising from the river or the wood we are traversing makes the balloon descend two hundred metres. It does not vary when passing over fields of ripe grain, and it rises when it passes over towns.

The earth sleeps now, or, rather, men sleep on the earth, for the beasts awakened by the sight of our balloon announce our approach everywhere. Now and then the rolling of a train or the whistling of a locomotive is plainly distinguishable. We sound our siren as we pass over inhabited places; and the peasants, terrified in their beds, must surely tremble and ask themselves if the Angel Gabriel is not passing by.

A strong and continuous odor of gas can be plainly observed. We must have encountered a current of warm air, and the balloon expands, losing its invisible blood by the escape-valve, which is called the appendix, and which closes of itself as soon as the expansion ceases.

We are rising. The earth no longer gives back the echo of our trumpets; we have risen almost two thousand feet. It is not light enough for us to consult the instruments; we only know that the rice paper falls from us like dead butterflies, that we are rising, always rising. We can no longer see the earth; a light mist separates us from it; and above our head twinkles a world of stars.

A silvery light appears before us and makes the sky turn pale, and suddenly, as if it were rising from unknown depths behind the horizon below us rises the moon on the edge of a cloud. It seems to be coming from below, while we are looking down upon it from a great height, leaning on the edge of our basket like an audience on a balcony. Clear and round, it emerges from the clouds and slowly rises in the sky.

The earth no longer seems to exist, it is buried in milky vapors that resemble a sea. We are now alone in space with the moon, which looks like another balloon travelling opposite us; and our balloon, which shines in the air, appears like another, larger moon, a world wandering in the sky amid the stars, through infinity. We no longer speak, think nor live; we float along through space in delicious inertia. The air which is bearing us up has made of us all beings which resemble itself, silent, joyous, irresponsible beings, intoxicated by this stupendous flight, peculiarly alert, although motionless. One is no longer conscious of one’s flesh or one’s bones; one’s heart seems to have ceased beating; we have become something indescribable, birds who do not even have to flap their wings.

All memory has disappeared from our minds, all trouble from our thoughts; we have no more regrets, plans nor hopes. We look, we feel, we wildly enjoy this fantastic journey; nothing in the sky but the moon and ourselves! We are a wandering, travelling world, like our sisters, the planets; and this little world carries five men who have left the earth and who have almost forgotten it. We can now see as plainly as in daylight; we look at each other, surprised at this brightness, for we have nothing to look at but ourselves and a few silvery clouds floating below us. The barometers mark twelve hundred metres, then thirteen, fourteen, fifteen hundred; and the little rice papers still fall about us.

Captain Jovis claims that the moon has often made balloons act thus, and that the upward journey will continue.

We are now at two thousand metres; we go up to two thousand three hundred and fifty; then the balloon stops: We blow the siren and are surprised that no one answers us from the stars.

We are now going down rapidly. M. Mallet keeps crying: “Throw out more ballast! throw out more ballast!” And the sand and stones that we throw over come back into our faces, as if they were going up, thrown from below toward the stars, so rapid is our descent.

Here is the earth! Where are we? It is now past midnight, and we are crossing a broad, dry, well-cultivated country, with many roads and well populated.

To the right is a large city and farther away to the left is another. But suddenly from the earth appears a bright fairy light; it disappears, reappears and once more disappears. Jovis, intoxicated by space, exclaims: “Look, look at this phenomenon of the moon in the water. One can see nothing more beautiful at night!”

Nothing indeed can give one an idea of the wonderful brightness of these spots of light which are not fire, which do not look like reflections, which appear quickly here or there and immediately go out again. These shining lights appear on the winding rivers at every turn, but one hardly has time to see them as the balloon passes as quickly as the wind.

We are now quite near the earth, and Beer exclaims:—“Look at that! What is that running over there in the fields? Isn’t it a dog?” Indeed, something is running along the ground with great speed, and this something seems to jump over ditches, roads, trees with such ease that we could not understand what it might be. The captain laughed: “It is the shadow of our balloon. It will grow as we descend.”

I distinctly hear a great noise of foundries in the distance. And, according to the polar star, which we have been observing all night, ‘and which I have so often watched and consulted from the bridge of my little yacht on the Mediterranean, we are heading straight for Belgium.

Our siren and our two horns are continually calling. A few cries from some truck driver or belated reveler answer us. We bellow: “Where are we?” But the balloon is going so rapidly that the bewildered man has not even time to answer us. The growing shadow of Le Horla, as large as a child’s ball, is fleeing before us over the fields, roads and woods. It goes along steadily, preceding us by about a quarter of a mile; and now I am leaning out of the basket, listening to the roaring of the wind in the trees and across the harvest fields. I say to Captain Jovis: “How the wind blows!”

He answers: “No, those are probably waterfalls.” I insist, sure of my ear that knows the sound of the wind, from hearing it so often whistle through the rigging. Then Jovis nudges me; he fears to frighten his happy, quiet passengers, for he knows full well that a storm is pursuing us.

At last a man manages to understand us; he answers: “Nord!” We get the same reply from another.

Suddenly the lights of a town, which seems to be of considerable size, appear before us. Perhaps it is Lille. As we approach it, such a wonderful flow of fire appears below us that I think myself transported into some fairyland where precious stones are manufactured for giants.

It seems that it is a brick factory. Here are others, two, three. The fusing material bubbles, sparkles, throws out blue, red, yellow, green sparks, reflections from giant diamonds, rubies, emeralds, turquoises, sapphires, topazes. And near by are great foundries roaring like apocalyptic lions; high chimneys belch forth their clouds of smoke and flame, and we can hear the noise of metal striking against metal.

“Where are we?”

The voice of some joker or of a crazy person answers: “In a balloon!”

“Where are we?”

“At Lille!”

We were not mistaken. We are already out of sight of the town, and we see Roubaix to the right, then some well-cultivated, rectangular fields, of different colors according to the crops, some yellow, some gray or brown. But the clouds are gathering behind us, hiding the moon, whereas toward the east the sky is growing lighter, becoming a clear blue tinged with red. It is dawn. It grows rapidly, now showing us all the little details of the earth, the trains, the brooks, the cows, the goats. And all this passes beneath us with surprising speed. One hardly has time to notice that other fields, other meadows, other houses have already disappeared. Cocks are crowing, but the voice of ducks drowns everything. One might think the world to be peopled, covered with them, they make so much noise.

The early rising peasants are waving their arms and crying to us: “Let yourselves drop!” But we go along steadily, neither rising nor falling, leaning over the edge of the basket and watching the world fleeing under our feet.

Jovis sights another city far off in the distance. It approaches; everywhere are old church spires. They are delightful, seen thus from above. Where are we? Is this Courtrai? Is it Ghent?

We are already very near it, and we see that it is surrounded by water and crossed in every direction by canals. One might think it a Venice of the north. Just as we are passing so near to a church tower that our long guy-rope almost touches it, the chimes begin to ring three o’clock. The sweet, clear sounds rise to us from this frail roof which we have almost touched in our wandering course. It is a charming greeting, a friendly welcome from Holland. We answer with our siren, whose raucous voice echoes throughout the streets.

It was Bruges. But we have hardly lost sight of it when my neighbor, Paul Bessand, asks me: “Don’t you see something over there, to the right, in front of us? It looks like a river.”

And, indeed, far ahead of us stretches a bright highway, in the light of the dawning day. Yes, it looks like a river, an immense river full of islands.

“Get ready for the descent,” cried the captain. He makes M. Mallet leave his net and return to the basket; then we pack the barometers and everything that could be injured by possible shocks. M. Bessand exclaims: “Look at the masts over there to the left! We are at the sea!”

Fogs had hidden it from us until then. The sea was everywhere, to the left and opposite us, while to our right the Scheldt, which had joined the Moselle, extended as far as the sea, its mouths vaster than a lake.

It was necessary to descend within a minute or two. The rope to the escape-valve, which had been religiously enclosed in a little white bag and placed in sight of all so that no one would touch it, is unrolled, and M. Mallet holds it in his hand while Captain Jovis looks for a favorable landing.

Behind us the thunder was rumbling and not a single bird followed our mad flight.

“Pull!” cried Jovis.

We were passing over a canal. The basket trembled and tipped over slightly. The guy-rope touched the tall trees on both banks. But our speed is so great that the long rope now trailing does not seem to slow down, and we pass with frightful rapidity over a large farm, from which the bewildered chickens, pigeons and ducks fly away, while the cows, cats and dogs run, terrified, toward the house.

Just one-half bag of ballast is left. Jovis throws it overboard, and Le Horla flies lightly across the roof.

The captain once more cries: “The escape-valve!”

M. Mallet reaches for the rope and hangs to it, and we drop like an arrow. With a slash of a knife the cord which retains the anchor is cut, and we drag this grapple behind us, through a field of beets. Here are the trees.

“Take care! Hold fast! Look out for your heads!”

We pass over them. Then a strong shock shakes us. The anchor has taken hold.

“Look out! Take a good hold! Raise yourselves by your wrists. We are going to touch ground.”

The basket does indeed strike the earth. Then it flies up again. Once more it falls and bounds upward again, and at last it settles on the ground, while the balloon struggles madly, like a wounded beast.

Peasants run toward us, but they do not dare approach. They were a long time before they decided to come and deliver us, for one cannot set foot on the ground until the bag is almost completely deflated.

Then, almost at the same time as the bewildered men, some of whom showed their astonishment by jumping, with the wild gestures of savages, all the cows that were grazing along the coast came toward us, surrounding our balloon with a strange and comical circle of horns, big eyes and blowing nostrils.

With the help of the accommodating and hospitable Belgian peasants, we were able in a short time to pack up all our material and carry it to the station at Heyst, where at twenty minutes past eight we took the train for Paris.

The descent occurred at three-fifteen in the morning, preceding by only a few seconds the torrent of rain and the blinding lightning of the storm which had been chasing us before it.

Thanks to Captain Jovis, of whom I had heard much from my colleague, Paul Ginisty—for both of them had fallen together and voluntarily into the sea opposite Mentone—thanks to this brave man, we were able to see, in a single night, from far up in the sky, the setting of the sun, the rising of the moon and the dawn of day and to go from Paris to the mouth of the Scheldt through the skies.

... SO THEY BAKED A CAKE by Winston Marks - https://www.gutenberg.org/cache/epub/51414/pg51414-images.html

 

My particular prostitution was to transform their peccadilloes into virtues, their stubbed toes into tragedies and their fornications into romance. And I'd been at it so long I couldn't stand the odor of my own typewriter.

Roger de Tourneville was whiffing a cigar and blowing out small clouds of smoke every now and then, as he sat astride a chair amid a party of friends. He was talking. “We were at dinner when a letter was brought in which my father opened. You know my father, who thinks that he is king of France ad interim. I call him Don Quixote, because for twelve years he has been running a tilt against the windmill of the Republic, without quite knowing whether it was in the cause of the Bourbons or the Orleanists. At present he is bearing the lance in the cause of the Orleanists alone, because there is no one else left. In any case, he thinks himself the first gentleman of France, the best known, the most influential, the head of the party; and as he is an irremovable senator, he thinks that the thrones of the neighboring kings are very insecure. “As for my mother, she is my father’s soul, she is the soul of the kingdom and of religion, and the scourge of all evil-thinkers. “Well, a letter was brought in while we were at dinner, and my father opened and read it, and then he said to mother: ‘Your brother is dying.’ She grew very pale. My uncle was scarcely ever mentioned in the house, and I did not know him at all; all I knew from public talk was, that he had led, and was still leading, a gay life. After having spent his fortune in fast living, he was now in small apartments in the Rue des Martyrs.

“An ancient peer of France and former colonel of cavalry, it was said that he believed in neither God nor devil. Not believing, therefore, in a future life he had abused the present life in every way, and had become a live wound in my mother’s heart.

“‘Give me that letter, Paul,’ she said, and when she read it, I asked for it in my turn. Here it is:

   ‘Monsieur le Comte, I think I ought to let you know that your
   brother-in-law, the Comte Fumerol, is going to die. Perhaps you
   would like to make some arrangements, and do not forget I told you.
   Your servant,
                       ‘MELANIE.’

“‘We must take counsel,’ papa murmured. ‘In my position, I ought to watch over your brother’s last moments.’

“Mamma continued: ‘I will send for Abbe Poivron and ask his advice, and then I will go to my brother with the abbe and Roger. Remain here, Paul, for you must not compromise yourself; but a woman can, and ought to do these things. For a politician in your position, it is another matter. It would be a fine thing for one of your opponents to be able to bring one of your most laudable actions up against you.’ ‘You are right,’ my father said. ‘Do as you think best, my dear wife.’

“A quarter of an hour, later, the Abbe Poivron came into the drawing-room, and the situation was explained to him, analyzed and discussed in all its bearings. If the Marquis de Fumerol, one of the greatest names in France, were to die without the ministrations of religion, it would assuredly be a terrible blow to the nobility in general, and to the Count de Tourneville in particular, and the freethinkers would be triumphant. The liberal newspapers would sing songs of victory for six months; my mother’s name would be dragged through the mire and brought into the prose of Socialistic journals, and my father’s name would be smirched. It was impossible that such a thing should be.

“A crusade was therefore immediately decided upon, which was to be led by the Abbe Poivron, a little, fat, clean, priest with a faint perfume about him, a true vicar of a large church in a noble and rich quarter.

“The landau was ordered and we all three set out, my mother, the cure and I, to administer the last sacraments to my uncle.

“It had been decided first of all we should see Madame Melanie who had written the letter, and who was most likely the porter’s wife, or my uncle’s servant, and I dismounted, as an advance guard, in front of a seven-story house and went into a dark passage, where I had great difficulty in finding the porter’s den. He looked at me distrustfully, and I said:

“‘Madame Melanie, if you please.’ ‘Don’t know her!’ ‘But I have received a letter from her.’ ‘That may be, but I don’t know her. Are you asking for a lodger?’ ‘No, a servant probably. She wrote me about a place.’ ‘A servant?—a servant? Perhaps it is the marquis’. Go and see, the fifth story on the left.’

“As soon as he found I was not asking for a doubtful character he became more friendly and came as far as the corridor with me. He was a tall, thin man with white whiskers, the manners of a beadle and majestic gestures.

“I climbed up a long spiral staircase, the railing of which I did not venture to touch, and I gave three discreet knocks at the left-hand door on the fifth story. It opened immediately, and an enormous dirty woman appeared before me. She barred the entrance with her extended arms which she placed against the two doorposts, and growled:

“‘What do you want?’ ‘Are you Madame Melanie?’ ‘Yes.’ ‘I am the Visconte de Tourneville.’ ‘Ah! All right! Come in.’ ‘Well, the fact is, my mother is downstairs with a priest.’ ‘Oh! All right; go and bring them up; but be careful of the porter.’

“I went downstairs and came up again with my mother, who was followed by the abbe, and I fancied that I heard other footsteps behind us. As soon as we were in the kitchen, Melanie offered us chairs, and we all four sat down to deliberate.

“‘Is he very ill?’ my mother asked. ‘Oh! yes, madame; he will not be here long.’ ‘Does he seem disposed to receive a visit from a priest?’ ‘Oh! I do not think so.’ ‘Can I see him?’ ‘Well—yes madame—only —only—those young ladies are with him.’ ‘What young ladies?’ ‘Why—why—his lady friends, of course.’ ‘Oh!’ Mamma had grown scarlet, and the Abbe Poivron had lowered his eyes.

“The affair began to amuse me, and I said: ‘Suppose I go in first? I shall see how he receives me, and perhaps I shall be able to prepare him to receive you.’

“My mother, who did not suspect any trick, replied: ‘Yes, go, my dear.’ But a woman’s voice cried out: ‘Melanie!’

“The servant ran out and said: ‘What do you want, Mademoiselle Claire?’ ‘The omelette; quickly.’ ‘In a minute, mademoiselle.’ And coming back to us, she explained this summons.

“They had ordered a cheese omelette at two o’clock as a slight collation. And she at once began to break the eggs into a salad bowl, and to whip them vigorously, while I went out on the landing and pulled the bell, so as to formally announce my arrival. Melanie opened the door to me, and made me sit down in an ante-room, while she went to tell my uncle that I had come; then she came back and asked me to go in, while the abbe hid behind the door, so that he might appear at the first signal.

“I was certainly very much surprised at the sight of my uncle, for he was very handsome, very solemn and very elegant, the old rake.

“Sitting, almost lying, in a large armchair, his legs wrapped in blankets, his hands, his long, white hands, over the arms of the chair, he was waiting for death with the dignity of a patriarch. His white beard fell on his chest, and his hair, which was also white, mingled with it on his cheeks.

“Standing behind his armchair, as if to defend him against me, were two young women, who looked at me with bold eyes. In their petticoats and morning wrappers, with bare arms, with coal black hair twisted in a knot on the nape of their neck, with embroidered, Oriental slippers, which showed their ankles and silk stockings, they looked like the figures in some symbolical painting, by the side of the dying man. Between the easy-chair and the bed, there was a table covered with a white cloth, on which two plates, two glasses, two forks and two knives, were waiting for the cheese omelette which had been ordered some time before of Melanie.

“My uncle said in a weak, almost breathless, but clear voice:

“‘Good-morning, my child; it is rather late in the day to come and see me; our acquaintanceship will not last long.’ I stammered out, ‘It was not my fault, uncle:’ ‘No; I know that,’ he replied. ‘It is your father and mother’s fault more than yours. How are they?’ ‘Pretty well, thank you. When they heard that you were ill, they sent me to ask after you.’ ‘Ah! Why did they not come themselves?’

“I looked up at the two girls and said gently: ‘It is not their fault if they could not come, uncle. But it would be difficult for my father, and impossible for my mother to come in here.’ The old man did not reply, but raised his hand toward mine, and I took the pale, cold hand and held it in my own.

“The door opened, Melanie came in with the omelette and put it on the table, and the two girls immediately sat down at the table, and began to eat without taking their eyes off me. Then I said: ‘Uncle, it would give great pleasure to my mother to embrace you.’ ‘I also,’ he murmured, ‘should like——’ He said no more, and I could think of nothing to propose to him, and there was silence except for the noise of the plates and that vague sound of eating.

“Now, the abbe, who was listening behind the door, seeing our embarrassment, and thinking we had won the game, thought the time had come to interpose, and showed himself. My uncle was so stupefied at sight of him that at first he remained motionless; and then he opened his mouth as if he meant to swallow up the priest, and shouted to him in a strong, deep, furious voice: ‘What are you doing here?’

“The abbe, who was used to difficult situations, came forward into the room, murmuring: ‘I have come in your sister’s name, Monsieur le Marquis; she has sent me. She would be happy, monsieur—’

“But the marquis was not listening. Raising one hand, he pointed to the door with a proud, tragic gesture, and said angrily and breathing hard: ‘Leave this room—go out—robber of souls. Go out from here, you violator of consciences. Go out from here, you pick-lock of dying men’s doors!’

“The abbe retreated, and I also went to the door, beating a retreat with the priest; the two young women, who had the best of it, got up, leaving their omelette only half eaten, and went and stood on either side of my uncle’s easy-chair, putting their hands on his arms to calm him, and to protect him against the criminal enterprises of the Family, and of Religion.

“The abbe and I rejoined my mother in the kitchen, and Melanie again offered us chairs. ‘I knew quite well that this method would not work; we must try some other means, otherwise he will escape us.’ And they began deliberating afresh, my mother being of one opinion and the abbe of another, while I held a third.

“We had been discussing the matter in a low voice for half an hour, perhaps, when a great noise of furniture being moved and of cries uttered by my uncle, more vehement and terrible even than the former had been, made us all four jump up.

“Through the doors and walls we could hear him shouting: ‘Go out—out —rascals—humbugs, get out, scoundrels—get out—get out!’

“Melanie rushed in, but came back immediately to call me to help her, and I hastened in. Opposite to my uncle, who was terribly excited by anger, almost standing up and vociferating, stood two men, one behind the other, who seemed to be waiting till he should be dead with rage.

“By his ridiculous long coat, his long English shoes, his manners of a tutor out of a position, his high collar, white necktie and straight hair, his humble face of a false priest of a bastard religion, I immediately recognized the first as a Protestant minister.

“The second was the porter of the house, who belonged to the reformed religion and had followed us, and having seen our defeat, had gone to fetch his own pastor, in hopes that he might meet a better reception. My uncle seemed mad with rage! If the sight of the Catholic priest, of the priest of his ancestors, had irritated the Marquis de Fumerol, who had become a freethinker, the sight of his porter’s minister made him altogether beside himself. I therefore took the two men by the arm and threw them out of the room so roughly that they bumped against each other twice, between the two doors which led to the staircase; and then I disappeared in my turn and returned to the kitchen, which was our headquarters in order to take counsel with my mother and the abbe.

“But Melanie came back in terror, sobbing out:

“‘He is dying—he is dying—come immediately—he is dying.’

“My mother rushed out. My uncle had fallen to the ground, and lay full length along the floor, without moving. I fancy he was already dead. My mother was superb at that moment! She went straight up to the two girls who were kneeling by the body and trying to raise it up, and pointing to the door with irresistible authority, dignity and majesty, she said: ‘Now it is time for you to leave the room.’

“And they went out without a word of protest. I must add, that I was getting ready to turn them out as unceremoniously as I had done the parson and the porter.

“Then the Abbe Poivron administered the last sacraments to my uncle with all the customary prayers, and remitted all his sins, while my mother sobbed as she knelt near her brother. Suddenly, however, she exclaimed: ‘He recognized me; he pressed my hand; I am sure he recognized me!!!—and that he thanked me! Oh, God, what happiness!’

“Poor mamma! If she had known or guessed for whom those thanks were intended!

“They laid my uncle on his bed; he was certainly dead this time.

“‘Madame,’ Melanie said, ‘we have no sheets to bury him in; all the linen belongs to these two young ladies,’ and when I looked at the omelette which they had not finished, I felt inclined to laugh and to cry at the same time. There are some humorous moments and some humorous situations in life, occasionally!

“We gave my uncle a magnificent funeral, with five speeches at the grave. Baron de Croiselles, the senator, showed in admirable terms that God always returns victorious into well-born souls which have temporarily been led into error. All the members of the Royalist and Catholic party followed the funeral procession with the enthusiasm of victors, as they spoke of that beautiful death after a somewhat troublous life.”

Viscount Roger ceased speaking; his audience was laughing. Then somebody said: “Bah! That is the story of all conversions in extremis.”

ICE MELTING A NEW 2012?

 

THE LAMPS OF THE ANGELS By RICHARD SABIA - https://www.gutenberg.org/cache/epub/51669/pg51669-images.html

 

Have you taken cargoes from all twelve planets?"

The girl was one of those pretty and charming young creatures who sometimes are born, as if by a slip of fate, into a family of clerks. She had no dowry, no expectations, no way of being known, understood, loved, married by any rich and distinguished man; so she let herself be married to a little clerk of the Ministry of Public Instruction. She dressed plainly because she could not dress well, but she was unhappy as if she had really fallen from a higher station; since with women there is neither caste nor rank, for beauty, grace and charm take the place of family and birth. Natural ingenuity, instinct for what is elegant, a supple mind are their sole hierarchy, and often make of women of the people the equals of the very greatest ladies. Mathilde suffered ceaselessly, feeling herself born to enjoy all delicacies and all luxuries. She was distressed at the poverty of her dwelling, at the bareness of the walls, at the shabby chairs, the ugliness of the curtains. All those things, of which another woman of her rank would never even have been conscious, tortured her and made her angry. The sight of the little Breton peasant who did her humble housework aroused in her despairing regrets and bewildering dreams. She thought of silent antechambers hung with Oriental tapestry, illumined by tall bronze candelabra, and of two great footmen in knee breeches who sleep in the big armchairs, made drowsy by the oppressive heat of the stove. She thought of long reception halls hung with ancient silk, of the dainty cabinets containing priceless curiosities and of the little coquettish perfumed reception rooms made for chatting at five o’clock with intimate friends, with men famous and sought after, whom all women envy and whose attention they all desire.

When she sat down to dinner, before the round table covered with a tablecloth in use three days, opposite her husband, who uncovered the soup tureen and declared with a delighted air, “Ah, the good soup! I don’t know anything better than that,” she thought of dainty dinners, of shining silverware, of tapestry that peopled the walls with ancient personages and with strange birds flying in the midst of a fairy forest; and she thought of delicious dishes served on marvellous plates and of the whispered gallantries to which you listen with a sphinxlike smile while you are eating the pink meat of a trout or the wings of a quail.

She had no gowns, no jewels, nothing. And she loved nothing but that. She felt made for that. She would have liked so much to please, to be envied, to be charming, to be sought after.

She had a friend, a former schoolmate at the convent, who was rich, and whom she did not like to go to see any more because she felt so sad when she came home.

But one evening her husband reached home with a triumphant air and holding a large envelope in his hand.

“There,” said he, “there is something for you.”

She tore the paper quickly and drew out a printed card which bore these words:

   The Minister of Public Instruction and Madame Georges Ramponneau
   request the honor of M. and Madame Loisel’s company at the palace of
   the Ministry on Monday evening, January 18th.

Instead of being delighted, as her husband had hoped, she threw the invitation on the table crossly, muttering:

“What do you wish me to do with that?”

“Why, my dear, I thought you would be glad. You never go out, and this is such a fine opportunity. I had great trouble to get it. Every one wants to go; it is very select, and they are not giving many invitations to clerks. The whole official world will be there.”

She looked at him with an irritated glance and said impatiently:

“And what do you wish me to put on my back?”

He had not thought of that. He stammered:

“Why, the gown you go to the theatre in. It looks very well to me.”

He stopped, distracted, seeing that his wife was weeping. Two great tears ran slowly from the corners of her eyes toward the corners of her mouth.

“What’s the matter? What’s the matter?” he answered.

By a violent effort she conquered her grief and replied in a calm voice, while she wiped her wet cheeks:

“Nothing. Only I have no gown, and, therefore, I can’t go to this ball. Give your card to some colleague whose wife is better equipped than I am.”

He was in despair. He resumed:

“Come, let us see, Mathilde. How much would it cost, a suitable gown, which you could use on other occasions—something very simple?”

She reflected several seconds, making her calculations and wondering also what sum she could ask without drawing on herself an immediate refusal and a frightened exclamation from the economical clerk.

Finally she replied hesitating:

“I don’t know exactly, but I think I could manage it with four hundred francs.”

He grew a little pale, because he was laying aside just that amount to buy a gun and treat himself to a little shooting next summer on the plain of Nanterre, with several friends who went to shoot larks there of a Sunday.

But he said:

“Very well. I will give you four hundred francs. And try to have a pretty gown.”

The day of the ball drew near and Madame Loisel seemed sad, uneasy, anxious. Her frock was ready, however. Her husband said to her one evening:

“What is the matter? Come, you have seemed very queer these last three days.”

And she answered:

“It annoys me not to have a single piece of jewelry, not a single ornament, nothing to put on. I shall look poverty-stricken. I would almost rather not go at all.”

“You might wear natural flowers,” said her husband. “They’re very stylish at this time of year. For ten francs you can get two or three magnificent roses.”

She was not convinced.

“No; there’s nothing more humiliating than to look poor among other women who are rich.”

“How stupid you are!” her husband cried. “Go look up your friend, Madame Forestier, and ask her to lend you some jewels. You’re intimate enough with her to do that.”

She uttered a cry of joy:

“True! I never thought of it.”

The next day she went to her friend and told her of her distress.

Madame Forestier went to a wardrobe with a mirror, took out a large jewel box, brought it back, opened it and said to Madame Loisel:

“Choose, my dear.”

She saw first some bracelets, then a pearl necklace, then a Venetian gold cross set with precious stones, of admirable workmanship. She tried on the ornaments before the mirror, hesitated and could not make up her mind to part with them, to give them back. She kept asking:

“Haven’t you any more?”

“Why, yes. Look further; I don’t know what you like.”

Suddenly she discovered, in a black satin box, a superb diamond necklace, and her heart throbbed with an immoderate desire. Her hands trembled as she took it. She fastened it round her throat, outside her high-necked waist, and was lost in ecstasy at her reflection in the mirror.

Then she asked, hesitating, filled with anxious doubt:

“Will you lend me this, only this?”

“Why, yes, certainly.”

She threw her arms round her friend’s neck, kissed her passionately, then fled with her treasure.

The night of the ball arrived. Madame Loisel was a great success. She was prettier than any other woman present, elegant, graceful, smiling and wild with joy. All the men looked at her, asked her name, sought to be introduced. All the attaches of the Cabinet wished to waltz with her. She was remarked by the minister himself.

She danced with rapture, with passion, intoxicated by pleasure, forgetting all in the triumph of her beauty, in the glory of her success, in a sort of cloud of happiness comprised of all this homage, admiration, these awakened desires and of that sense of triumph which is so sweet to woman’s heart.

She left the ball about four o’clock in the morning. Her husband had been sleeping since midnight in a little deserted anteroom with three other gentlemen whose wives were enjoying the ball.

He threw over her shoulders the wraps he had brought, the modest wraps of common life, the poverty of which contrasted with the elegance of the ball dress. She felt this and wished to escape so as not to be remarked by the other women, who were enveloping themselves in costly furs.

Loisel held her back, saying: “Wait a bit. You will catch cold outside. I will call a cab.”

But she did not listen to him and rapidly descended the stairs. When they reached the street they could not find a carriage and began to look for one, shouting after the cabmen passing at a distance.

They went toward the Seine in despair, shivering with cold. At last they found on the quay one of those ancient night cabs which, as though they were ashamed to show their shabbiness during the day, are never seen round Paris until after dark.

It took them to their dwelling in the Rue des Martyrs, and sadly they mounted the stairs to their flat. All was ended for her. As to him, he reflected that he must be at the ministry at ten o’clock that morning.

She removed her wraps before the glass so as to see herself once more in all her glory. But suddenly she uttered a cry. She no longer had the necklace around her neck!

“What is the matter with you?” demanded her husband, already half undressed.

She turned distractedly toward him.

“I have—I have—I’ve lost Madame Forestier’s necklace,” she cried.

He stood up, bewildered.

“What!—how? Impossible!”

They looked among the folds of her skirt, of her cloak, in her pockets, everywhere, but did not find it.

“You’re sure you had it on when you left the ball?” he asked.

“Yes, I felt it in the vestibule of the minister’s house.”

“But if you had lost it in the street we should have heard it fall. It must be in the cab.”

“Yes, probably. Did you take his number?”

“No. And you—didn’t you notice it?”

“No.”

They looked, thunderstruck, at each other. At last Loisel put on his clothes.

“I shall go back on foot,” said he, “over the whole route, to see whether I can find it.”

He went out. She sat waiting on a chair in her ball dress, without strength to go to bed, overwhelmed, without any fire, without a thought.

Her husband returned about seven o’clock. He had found nothing.

He went to police headquarters, to the newspaper offices to offer a reward; he went to the cab companies—everywhere, in fact, whither he was urged by the least spark of hope.

She waited all day, in the same condition of mad fear before this terrible calamity.

Loisel returned at night with a hollow, pale face. He had discovered nothing.

“You must write to your friend,” said he, “that you have broken the clasp of her necklace and that you are having it mended. That will give us time to turn round.”

She wrote at his dictation.

At the end of a week they had lost all hope. Loisel, who had aged five years, declared:

“We must consider how to replace that ornament.”

The next day they took the box that had contained it and went to the jeweler whose name was found within. He consulted his books.

“It was not I, madame, who sold that necklace; I must simply have furnished the case.”

Then they went from jeweler to jeweler, searching for a necklace like the other, trying to recall it, both sick with chagrin and grief.

They found, in a shop at the Palais Royal, a string of diamonds that seemed to them exactly like the one they had lost. It was worth forty thousand francs. They could have it for thirty-six.

So they begged the jeweler not to sell it for three days yet. And they made a bargain that he should buy it back for thirty-four thousand francs, in case they should find the lost necklace before the end of February.

Loisel possessed eighteen thousand francs which his father had left him. He would borrow the rest.

He did borrow, asking a thousand francs of one, five hundred of another, five louis here, three louis there. He gave notes, took up ruinous obligations, dealt with usurers and all the race of lenders. He compromised all the rest of his life, risked signing a note without even knowing whether he could meet it; and, frightened by the trouble yet to come, by the black misery that was about to fall upon him, by the prospect of all the physical privations and moral tortures that he was to suffer, he went to get the new necklace, laying upon the jeweler’s counter thirty-six thousand francs.

When Madame Loisel took back the necklace Madame Forestier said to her with a chilly manner:

“You should have returned it sooner; I might have needed it.”

She did not open the case, as her friend had so much feared. If she had detected the substitution, what would she have thought, what would she have said? Would she not have taken Madame Loisel for a thief?

Thereafter Madame Loisel knew the horrible existence of the needy. She bore her part, however, with sudden heroism. That dreadful debt must be paid. She would pay it. They dismissed their servant; they changed their lodgings; they rented a garret under the roof.

She came to know what heavy housework meant and the odious cares of the kitchen. She washed the dishes, using her dainty fingers and rosy nails on greasy pots and pans. She washed the soiled linen, the shirts and the dishcloths, which she dried upon a line; she carried the slops down to the street every morning and carried up the water, stopping for breath at every landing. And dressed like a woman of the people, she went to the fruiterer, the grocer, the butcher, a basket on her arm, bargaining, meeting with impertinence, defending her miserable money, sou by sou.

Every month they had to meet some notes, renew others, obtain more time.

Her husband worked evenings, making up a tradesman’s accounts, and late at night he often copied manuscript for five sous a page.

This life lasted ten years.

At the end of ten years they had paid everything, everything, with the rates of usury and the accumulations of the compound interest.

Madame Loisel looked old now. She had become the woman of impoverished households—strong and hard and rough. With frowsy hair, skirts askew and red hands, she talked loud while washing the floor with great swishes of water. But sometimes, when her husband was at the office, she sat down near the window and she thought of that gay evening of long ago, of that ball where she had been so beautiful and so admired.

What would have happened if she had not lost that necklace? Who knows? who knows? How strange and changeful is life! How small a thing is needed to make or ruin us!

But one Sunday, having gone to take a walk in the Champs Elysees to refresh herself after the labors of the week, she suddenly perceived a woman who was leading a child. It was Madame Forestier, still young, still beautiful, still charming.

Madame Loisel felt moved. Should she speak to her? Yes, certainly. And now that she had paid, she would tell her all about it. Why not?

She went up.

“Good-day, Jeanne.”

The other, astonished to be familiarly addressed by this plain good-wife, did not recognize her at all and stammered:

“But—madame!—I do not know—You must have mistaken.”

“No. I am Mathilde Loisel.”

Her friend uttered a cry.

“Oh, my poor Mathilde! How you are changed!”

“Yes, I have had a pretty hard life, since I last saw you, and great poverty—and that because of you!”

“Of me! How so?”

“Do you remember that diamond necklace you lent me to wear at the ministerial ball?”

“Yes. Well?”

“Well, I lost it.”

“What do you mean? You brought it back.”

“I brought you back another exactly like it. And it has taken us ten years to pay for it. You can understand that it was not easy for us, for us who had nothing. At last it is ended, and I am very glad.”

Madame Forestier had stopped.

“You say that you bought a necklace of diamonds to replace mine?”

“Yes. You never noticed it, then! They were very similar.”

And she smiled with a joy that was at once proud and ingenuous.

Madame Forestier, deeply moved, took her hands.

“Oh, my poor Mathilde! Why, my necklace was paste! It was worth at most only five hundred francs!”